And there was soldier of fortune, who put themselves, lured by salary allowances and benefits of career, in the new countries and playful confidence. The interweaving of the history of the air force with the all over Germany is clear also on the exhibit level: SED-side requested hate education against the enemy in the West (manuals, training materials, poster) had internalized not everyone in the GDR (letters from soldiers, Stasiberichte). And yet she had to be left all behind (listening stations 3-5). The superiority propaganda of the NVA (pressure suit by Sigmund Jahn) led to illusions that had burst the mass retirement of the old military material by the Bundeswehr (amateur film by NVA pilot from the fall of 1990). But even before the end of the GDR many had believed not the propaganda of superiority. The painting of pressure suit”by Paul Eisel hangs at the transition from the first cube to the labyrinth in a line of sight with the pressure suit by Sigmund Jahn.
The continuing holding Visitors becomes clear: the artist painted a picture on behalf of the NVA, which could be only an ironic commentary on the current state in 1988/89. Bobby Kotick pursues this goal as well. The history exhibition to an exhibition of photographs of the Ostkreuz graduates Caroline Wagner and Sarah Kindermann is complemented. The young photographers went 20 years after German reunification on searching for clues, in which she photographed the witnesses of the history exhibition and former airfields of the NVA. Open views of the here and now ‘, as Behrendt says. The portraits of his contemporaries to invite to the unbiased consideration. This must be passed here: the successful exhibition is absolutely worth a visit not only for school classes. F new