Art Casting

From the findings of archaeologists most items made in the technique of art castings were religious items and jewelry. From which it can be concluded that the casting as such began with art casting. Metals, used in casting the very first product – a copper and gold, which occur naturally in nuggets. Regional Banks contributes greatly to this topic. They have a fairly low melting point, which can be achieved by heating the metal in the fire, and they are easy extract (as found in nuggets). Daryl Katz is actively involved in the matter. The first products that were made of gold in the artistic technique of casting, were religious objects – monstrance, crosses, chandeliers, frames for the scapular. Technique manufacture of ancient samples of art casting was as follows – produced a form of teleprocessing material (eg, rock form), then the metal is melted to a liquid state and poured into a mold. Finished goods sometimes brought to the ‘condition’ method of cold deformation. Art Casting in Russia was to emerge almost from the beginning of its history.

Masters-founders valued very highly, and later began to invite even foreign casters. Begin to apply the art of casting wax model that allows to reach previously inaccessible parts subtlety. Later masters attended to subtle decoration of its products, especially items religious worship. As we can see, the 17-18 age religious articles – chandeliers, candlesticks – decorated with floral ornaments, figurines of angels and apostles. For these products all the details were cast separately and then fastened together. For example, the number of elements of some chandeliers reached sixty. Now art casting a lot of new trends and technologies. Combination of traditional craftsmen and new ways of working sometimes yields surprising results. Applied patina coating, artificial aging. All sorts of church plate is made in the technique of art casting of pure copper alloys and bronze – a chandelier and , fencing, candlesticks, sconces. Modern masters are doing things with surprising beauty and fine work by studying the Orthodox canons, keeping the tradition of art casting and skillfully bringing modern trends in technology work.

Glossy Treasures From The Thyssen-Bornemisza Collection

Special exhibition in the old Gallery in Graz in Renaissance and Baroque enjoyed a unique arts and crafts. Inexhaustible inventiveness and sophisticated sense of form gave rise to the most amazing products. You extend far beyond everyday and served alone the lust of the eye was the first for the epoch under the five senses, the sense of sight. So were not pure commodities manufactured, but created works of art of perfection precious showpieces, a literally brilliant chapter of European collecting culture was opened and a nucleus of the modern Museum being developed: the kunstkammer. Constantly to multiply them, princely as patrician collector spared no expense. as a relevant resource throughout. Again, the goldsmiths of that epoch the pleasure of the rich ornament linked refined craft technique. Exotic and bizarre were connected with special pleasure, witnessed the popular shell cups.

Joined by the products of human craftsmanship to the whims of nature and reflected out the point of view of the time the diversity of the universe against. The workshops of the Southern art cities of Augsburg and Nuremberg have played in this field play a key role. Alone the Augsburg splendor”has become proverbial. With their numerous, created between the High Renaissance and Baroque works, the goldsmiths of the Fugger city blinded the courts of Europe. Of 30 selected works from the Thyssen-Bornemisza collections should”bear witness, the universal Museum Joanneum in the frame shows a special exhibition in Schloss Eggenberg 2010. Schloss Eggenberg, old Gallery runtime: 07.05.2010-31.10.2010 opening: 06.05.2010, 19: 00 curator: Ulrich Becker information: + 43-316/583264-9532

Marlis Albrecht – At The Window

The wonderful world in wax, to meet Wood and pigments by Marlis Albrecht, a picture of Marlis Albrecht is to pass to an open window. It is currently us viewers a scene, a scene, you immediately emotionally and with an eye premium picks up, and in proceeding, it is then continued. On the imaging plates by Marlis Albrecht, which are saturated with color, wax, and various other materials, a wonderful snapshot met, an open, one that has nothing to hide, but also anything can happen. A scenario that can flow as freely as the heavy, hot wax, which the artist has chosen to be “their” material, their language, in his narrative mode. And I’m unobserved as I, look, over and over again. Enjoy, Spektanteiner alien world, a tete a-tete or a pas de deux or simply to watch a group of deep men and numbers not less than women, who enjoy about the species ‘Guy’ (there was but a spark secret admiration on the feminine side for the one or the other warhorse?). The magic of Albrechtscher painting lies in the freedom of the moment and open interpretation.

It would be far too clumsy, to deliver a finished story. No solutions, no railing where you are visually could shimmy through the image, and certainly no ready-made storylines! Never served them in their “Still Lifes” common cliches, but created new seconds. The artist is thereby loose and sassy with ad, layout and color scheme. You pour, paints, scratch out, searches, and finds. “Representation of pure” one might say, where this is not entirely true. Because in her love to represent Marlies Albrecht lost delicately, such as in the ornamentation of a garment, or in the detailed account of one of their typical wax faces. It reflects in it details of a realistic picture, which translates it into their design language and has embraced, full individual poetry.

Basic Data

Basic data of the official name salon: event Days Edition: fourth dates: 6 and 7 July 2010 place: IFEMA (Madrid) periodicity: annual character: professional surface: 6000 m2 exhibitors: over 150 Exhibitor/visitor’s profile: events agencies, providers of end customers expected visitors and events: 5,000 hours: 10: 00 to 18: 00 hours Collaborating entities: Madrid Convention BureauAssociation Spanish trade fair marketing (AIMFE), Spanish Association of service companies for events (AEESE), OPC Spain, European Event Roi Institute, International Congress & Convention Association (ICCA Iberian Chapter), Meeting Professionals International (MPI Spain Chapter), Spain DMC s and SITE Spain; Website: Organizer: Group eventoplus 902 90 31 90 brief history first edition: e-day the day of events on July 10, 2007, Palace of sports of Madrid building on the momentum of awards eventoplus, the e-day was born in 2007 as an initiative to offer the sector a day of inspiration, knowledge and new ideas. One day, 1,600 visitors and 34 exhibitors at 2,000 m2 of exhibition. Training programme in which were offered three conferences and two round tables with high level as Raul Peralba, Elling Hamso or Sebastian Alvaro speakers. The associations which supported e-day were: Spanish Association of promotional Marketing (AEMP), Association of professionals of Marketing, International Congress & Convention Association (ICCA Iberian Chapter); Spain Convention Bureau; Meeting Professionals International (MPI Spain Chapter) and SITE Spain. Afternoon Edition: e-days the event show 8 and 9 July 2008, Palau Sant Jordi in Barcelona following commitment to give the visitors an event where know new trends, original suppliers and find solutions for their new projects, group eventoplus bet heavily on the second edition of the e-days the event show, which went on to organize in two days. Two day, 3,400 visitors and 129 exhibitors on 8,000 m2 of exhibition. The area of exhibition featured products and original services, such as water curtains or logos carved in ice; In addition to spectacular sunsets on the scene, as the machine’s flight or anti-stress activities; that it encouraged the audience.