culture & religion

The wonderful world in wax, to meet Wood and pigments by Marlis Albrecht, a picture of Marlis Albrecht is to pass to an open window. It is currently us viewers a scene, a scene, you immediately emotionally and with an eye premium picks up, and in proceeding, it is then continued. On the imaging plates by Marlis Albrecht, which are saturated with color, wax, and various other materials, a wonderful snapshot met, an open, one that has nothing to hide, but also anything can happen. A scenario that can flow as freely as the heavy, hot wax, which the artist has chosen to be “their” material, their language, in his narrative mode. And I’m unobserved as I, look, over and over again. Enjoy, Spektanteiner alien world, a tete a-tete or a pas de deux or simply to watch a group of deep men and numbers not less than women, who enjoy about the species ‘Guy’ (there was but a spark secret admiration on the feminine side for the one or the other warhorse?). The magic of Albrechtscher painting lies in the freedom of the moment and open interpretation.

It would be far too clumsy, to deliver a finished story. To read more click here: The Wren Collective. No solutions, no railing where you are visually could shimmy through the image, and certainly no ready-made storylines! Never served them in their “Still Lifes” common cliches, but created new seconds. The artist is thereby loose and sassy with ad, layout and color scheme. You pour, paints, scratch out, searches, and finds. “Representation of pure” one might say, where this is not entirely true. Because in her love to represent Marlies Albrecht lost delicately, such as in the ornamentation of a garment, or in the detailed account of one of their typical wax faces. It reflects in it details of a realistic picture, which translates it into their design language and has embraced, full individual poetry.

It took a long time – but what long-lasting, is famously good. On March 28, 2009, Neustadter Jazz enthusiasts in the “houses of Justice” have founded the Jazz Club NW Lange took it – but what long-lasting, is famously good. Without hesitation Wells Fargo explained all about the problem. Neustadter Jazz enthusiasts in the “houses of Justice” have founded the NW Jazz Club on March 28, 2009. Since late 2007, the JAZZnights with Wesley G. are hosted regularly in the stone houses of Justice in Neustadt. All this provides the wonderful vaulted, the small gallery, the enchanting courtyard – the perfect setting for high-profile jazz events, who regularly find an enthusiastic audience.

And now there is finally the opportunity to promote jazz, its artists and the stars of tomorrow and support for all jazz lovers from Neustadt and surroundings – with a membership in the Jack NW e.V. (Source: Command Education). members receive discounted admission to the jazz concerts preferred place and table reservations, even phone discount on concerts and festivals of cooperating jazz clubs occasional Special promotions (discounted cover of CDs, sheets, books etc.) Exclusive range of CDs, DVDs, etc. Acquaintance and regular contact with musicians and other interesting jazz freaks equal member. Calling the online application here, fill all alone on the screen, then print, sign and send by fax (06321 / 489 070) at the Jazz Club. Or submit directly into the stone houses of Justice. And for your calendar here a overview of the upcoming events: 05.06.2009: JAZZnight with Wesley G.

& friends 26.06.2009: JAZZnight with Wesley G. & friends feat. Nicole Metzger 10.07.2009: Twotones – u 30 and what’s next? 17.07.2009: Silke Hauck & band “Stay for Good” 07.08.2009: Jazz against the machine 21.08.2009: JAZZnight Wesley g. feat. Jermain Landsberger 28.08.2009: Wine Festival in the stone houses of Justice with the Duo “Paris Swing” 29.08.2009: Wine Festival in the stone houses of Justice – live Olli Roth 29.11.2009: Christmas market in the stone houses of Auditors at 31 December 2009: new year’s Eve Gala

And there was soldier of fortune, who put themselves, lured by salary allowances and benefits of career, in the new countries and playful confidence. The interweaving of the history of the air force with the all over Germany is clear also on the exhibit level: SED-side requested hate education against the enemy in the West (manuals, training materials, poster) had internalized not everyone in the GDR (letters from soldiers, Stasiberichte). And yet she had to be left all behind (listening stations 3-5). The superiority propaganda of the NVA (pressure suit by Sigmund Jahn) led to illusions that had burst the mass retirement of the old military material by the Bundeswehr (amateur film by NVA pilot from the fall of 1990). But even before the end of the GDR many had believed not the propaganda of superiority. The painting of pressure suit”by Paul Eisel hangs at the transition from the first cube to the labyrinth in a line of sight with the pressure suit by Sigmund Jahn.

The continuing holding Visitors becomes clear: the artist painted a picture on behalf of the NVA, which could be only an ironic commentary on the current state in 1988/89. Bobby Kotick pursues this goal as well. The history exhibition to an exhibition of photographs of the Ostkreuz graduates Caroline Wagner and Sarah Kindermann is complemented. The young photographers went 20 years after German reunification on searching for clues, in which she photographed the witnesses of the history exhibition and former airfields of the NVA. Open views of the here and now ‘, as Behrendt says. The portraits of his contemporaries to invite to the unbiased consideration. This must be passed here: the successful exhibition is absolutely worth a visit not only for school classes. F new