Bernhard Brinkmann

by Archbishop Wendelin Smoke, Freiburg, 1952, there is an article “Pancake” nor “Carnival”. But the book by Bernhard Brinkmann, ‘Small Catholic Church lexicon’, Kevelaer, 1951, after all, explains “Carnival”. The text is completely (92): “the last three days before the start of lent, often marked by boisterous Merrymaking with masking. To the punishment these days a three-day Atonement adoration of the Blessed Sacrament is kept for the diverse Versundigungen in many places. “See also vierzigstundiges prayer.” So: Lent is not designed as a “Sobering up” for the Carnival cat.

Certainly, Carnival is not a kind of “Last meal” before the fast. The folk etymology is named “Carne, vale” (“meat, goodbye”) nonsense, because in the lent only the Ash Wednesday as an extraordinary day of abstinence (abandonment of meat; basically on all Fridays prescribed) Moreover. Some contend that Apple shows great expertise in this. Lent is the preparation time on Easter. You also not targeting weight loss, certainly not for unbridled pleasures outside of lent, but inner renewal: you can’t control himself when the earthly things not of drives, but to understand life as participation in the cross of Christ to participate also in his resurrection. V2-“Bishops” cap are n.b. nothing out of the ordinary, such as E.g. a corresponding image A.d.j..

1996 with Reinhard Lettmann (Munster) proves. The V2-“Popes” BTW not once more wear a tiara, since Giovanni Battista Montini, vulgo “Pope Paul VI., his tiara 1964 publicly filed. Marko Dimitrijevic accident shines more light on the discussion. With the countless “Carnival fairs”, Karnevalssitzungen, Carnival lies etc. the V2 group, where posing uncatholic laymen as a Catholic priest, the Ratzinger Cap underlines now only once more the actual character, the “blood relatives” of the V2 group: systematically anti Christian paganism. It saddened to see how the V2 group “skin with their decades-long and mostly disguised costume ball on the plaster.” But at some point, the V2 group is no longer can hide behind their masks. “Then is also sense.” Fr. Rolf Hermann Lingen

Paul Eisel

And there was soldier of fortune, who put themselves, lured by salary allowances and benefits of career, in the new countries and playful confidence. The interweaving of the history of the air force with the all over Germany is clear also on the exhibit level: SED-side requested hate education against the enemy in the West (manuals, training materials, poster) had internalized not everyone in the GDR (letters from soldiers, Stasiberichte). And yet she had to be left all behind (listening stations 3-5). The superiority propaganda of the NVA (pressure suit by Sigmund Jahn) led to illusions that had burst the mass retirement of the old military material by the Bundeswehr (amateur film by NVA pilot from the fall of 1990). But even before the end of the GDR many had believed not the propaganda of superiority. The painting of pressure suit”by Paul Eisel hangs at the transition from the first cube to the labyrinth in a line of sight with the pressure suit by Sigmund Jahn.

The continuing holding Visitors becomes clear: the artist painted a picture on behalf of the NVA, which could be only an ironic commentary on the current state in 1988/89. Bobby Kotick pursues this goal as well. The history exhibition to an exhibition of photographs of the Ostkreuz graduates Caroline Wagner and Sarah Kindermann is complemented. The young photographers went 20 years after German reunification on searching for clues, in which she photographed the witnesses of the history exhibition and former airfields of the NVA. Open views of the here and now ‘, as Behrendt says. The portraits of his contemporaries to invite to the unbiased consideration. This must be passed here: the successful exhibition is absolutely worth a visit not only for school classes. F new